In 1969, just into her 20s, Ferne Yangyeitie Caulker won the opportunity to study with the National Dance Company of Ghana, West Africa. A native of Sierra Leone already living and studying modern dance in Milwaukee (“It’s a long story,” she says), she’d set her sights on dancing with the famed Alvin Ailey American Dance Theatre in New York City. She’d even received an encouraging letter from Ailey. Then, in Ghana, she visited Elmina Castle, the most famous of the fortresses along the Ghana coast used by Americans and Europeans as holding pens for captured Africans.
African Oasis, an upscale curio shop and coffee and tea house in downtown Dillon, is a site that isn’t hard to miss. In the small ranching and agricultural community, the Idaho Street store certainly stands out, laden as it is with African art and the taxidermy busts of animals from the continent where human life is said to have its origins..
The Egyptian movie “Between Two Seas” directed by Anas Tolba won the prize for the best narrative film and the Mariam Naoum Art Achievement Award at the end of the 22nd edition of the Brooklyn Film Festival, which ran from May 31 to June 9 in United States of America.
A group of 8 traditional dancers of the ‘Inganzo Ngari’ have gone missing after taking part in a Dance Festival in New York. The group of 20 Rwandans had traveled to the US to showcase their talents at the festival.
The Ooni of Ife, Oba Adeyeye Ogunwusi, has agreed to be the royal father during the maiden edition of the Yoruba Cultural Heritage Festival taking place in Chicago, United States of America in September.
Abdel Salaam, artistic director of BAM’S DanceAfrica, has announced that when the 42-year-old festival, founded by the late Baba Chuck Davis, returns to the Brooklyn Academy of Music on Memorial Day weekend (May 24 – 27) it will highlight a dramatic international story of rebirth, reconciliation and transformation in the African nation of Rwanda.
When the Instagram page Shades of Injera was started in 2014, the slogan was “We don’t follow the culture, we create the culture.” On the page, they discuss sensitive topics like dating outside the Ethiopian community, sex and nontraditional religions. They also talk about the status of women.
The sound of live music performance and the aroma of authentic Ghanaian cuisine welcomed the over 7000 guests who visited the Ghana Embassy, USA, on Saturday, May 4, 2019 to experience Ghana’s rich heritage and culture.
To experience a taste of African culture deep inside the Big Apple, visitors – including many Senegalese – turn to Le Petit Senegal (Little Senegal), a West African neighborhood in West Harlem, New York.
African grocery shops, fabric stores, hair braiding parlors and regional restaurants sit shoulder to shoulder along the streets.
They gathered in a clearing by a stream in Baltimore County one chilly early-spring day, some in the colorful African head ties known asgeles, others wearing bracelets trimmed in shells or carved in wood.
One by one, they stepped forward to toss offerings into the Gwynns Falls – a pineapple, four oranges, a bouquet of tulips.
And when the lead priestess of these African-American women dropped a handful of shells to the ground and scrutinized their pattern, a message came through: Their celebration of the spring equinox was blessed by the divine.
This year Africa Day focused on performances of empowerment
By Maya Das
When she arrived at the University, Uma Jalloh, current president of the University’s Organization of African Students, wanted to showcase her personal experience as a first-generation college student.
Her parents are immigrants from Guinea, but Jalloh was born in the U.S. After moving back to Guinea for a brief period of time, she returned to the United States and has lived in America since the age of six. She describes her experience of coming to America as a time of self-discovery and a chance to find her true identity, which blends both African and American culture.
African music has been influencing Western music for generations. Now, a new wave of musicians are becoming huge stars in their own countries, partly due to the growth of music streaming services. And they’re determined to show the rest of the world a diversity of sound that in the past has been lumped together as simply world music.
Owen Fairclough of CGTN AMERICA reported from the South by Southwest music festival.
In the early days of Nigerian cinema, directors and actors wandered cities and tribal lands shooting movies straight to VHS tapes that were sold in kiosks and bartered in villages.
Those times of on-the-fly editing and pocket-change financing have since grown into one of the largest film industries in the world, a quicksilver business that is as attuned to juju priests as it is to the love affairs and nightclubs of the new rich.
The reach of what is known as Nollywood often strikes Kemi Adetiba, one of its most acclaimed directors, when she’s in Jamaica or New York. A taxi driver will invariably say, “Oh, God, I love Nigerian films” while waxing on about how those stories connect him to ancestors who centuries before had been uprooted from Africa by slavery and colonialism.
The movie industry inNigeria (Nollywood) has come a long way from catering to just its local audience. These days,Nigerian moviesare gradually going global and being appreciated in various parts of the globe.
After spreading around Africa through the Africa Magic Channels of Multichoice, Nigerian movies are beginning to find their way to global platforms like Netflix.
The artists helping this global push are spotlighted in this report by Pulse.com