In 1969, just into her 20s, Ferne Yangyeitie Caulker won the opportunity to study with the National Dance Company of Ghana, West Africa. A native of Sierra Leone already living and studying modern dance in Milwaukee (“It’s a long story,” she says), she’d set her sights on dancing with the famed Alvin Ailey American Dance Theatre in New York City. She’d even received an encouraging letter from Ailey. Then, in Ghana, she visited Elmina Castle, the most famous of the fortresses along the Ghana coast used by Americans and Europeans as holding pens for captured Africans.
Delou Africa, Inc. will celebrate its 10 year anniversary by hosting the African Diaspora Dance & Drum Festival of Florida on August 2-4, 2019 at Little Haiti Cultural Complex (212 NE 59th Terrace, Miami, FL 33137).
“Our yearly festival is a springboard to community capacity building, to increase understanding within and between communities and to stimulate dialogue and increase awareness and sensitivity for culture within the African Diaspora,” says Njeri Plato, Executive Director, Delou Africa, Inc.
For decades, Phillipsburg artist Mohamed Bayoumi Mansour followed in the footsteps of his older brother, Ali Bayoumi. Bayoumi, a professor of architecture and prominent Egyptian artist, inspired Mansour to nurture his creativity and pursue his own career in the arts.
Abdel Salaam, artistic director of BAM’S DanceAfrica, has announced that when the 42-year-old festival, founded by the late Baba Chuck Davis, returns to the Brooklyn Academy of Music on Memorial Day weekend (May 24 – 27) it will highlight a dramatic international story of rebirth, reconciliation and transformation in the African nation of Rwanda.
Hugely prolific multidisciplinary artist Wangechi Mutucame first to the UK as a teenager from Nairobi, before moving to the US where she studied art at Parsons and Cooper Union and completed an MFA in sculpture at Yale. Now working between New York and her home city – Mutu – known for her fantastical drawings, collages, sculptures, installations, performances and film work, regularly returns to themes related to the female body, communication, migration and the human experience.
THE METROPOLITAN MUSEUM OF ART in New York recently announced new artist commissions.
The Met plans a series of contemporary art installations at its Fifth Avenue flagship. For one of the projects, Wangechi Mutu is creating sculptures that will be installed in the niches in the museum’s Fifth Avenue facade.
The first Morocco Day, in Washington, D.C., celebrated the culture and heritage of the city of Zagora, the gate to the Moroccan Sahara desert.
The Moroccan American Network (MAN), an organization dedicated to create business opportunities for Moroccan small enterprises in the US, is preparing a list of Moroccan city candidates for the second annual Morocco Day, in which the culture and heritage of Moroccan cities are celebrated.
The network said in a previous statement that it will celebrate one Moroccan city from each of the 12 regions of the North African country every March 29 for the next 12 years in Washington, D.C.
To experience a taste of African culture deep inside the Big Apple, visitors – including many Senegalese – turn to Le Petit Senegal (Little Senegal), a West African neighborhood in West Harlem, New York.
African grocery shops, fabric stores, hair braiding parlors and regional restaurants sit shoulder to shoulder along the streets.
The fifth annual festival will bring poets, writers, filmmakers, comedians, and musical artists to Yale and New Haven to showcase the diversity of art and culture throughout the African diaspora.
According to the organizers, at a time when contemporary African art is drawing more eyes than ever, the salon invites audiences to rethink their conceptions of the continent and diaspora — to watch, listen, and respond — and to celebrate the creation and complexity of contemporary African narratives.
This year Africa Day focused on performances of empowerment
By Maya Das
When she arrived at the University, Uma Jalloh, current president of the University’s Organization of African Students, wanted to showcase her personal experience as a first-generation college student.
Her parents are immigrants from Guinea, but Jalloh was born in the U.S. After moving back to Guinea for a brief period of time, she returned to the United States and has lived in America since the age of six. She describes her experience of coming to America as a time of self-discovery and a chance to find her true identity, which blends both African and American culture.
Few Americans travel to Africa and even fewer have been to Somalia. But you can get a taste of African and international culture and goods right here in Louisville at the International Mall at Eighth and York streets.
A large warehouse-type building is separated into small rooms housing several businesses, including shops, tailors, groceries and even a barber, all owned by independent business owners who come together to support each other. If you’ve ever traveled to a country with a market area or medina, you’ll recognize the small stalls that use every inch of space to store and display wares. Brightly colored rugs, dresses and curtains line the walls and hang from the ceilings. There are beautiful golden tea sets, plates and stackable cookware, alongside faux flower arrangements and beautiful headscarves.
Chef Marcus Samuelsson spent this past weekend in Houston filming for his PBS reality series No Passport Required. Slated to air later this year, the episode will focus on Houston’s West African community and its rapidly growing presence on Houston’s culinary scene.
Houston will be one of six cities featured in season two. The show will also cover Filipino food in Seattle, Italian food in Philadelphia, Armenian food in Los Angeles, Chinese food in Las Vegas, and Brazilian and Portugese food in Boston.
Samuelsson tells CultureMap that he visited a few spots in Houston to complete his tour, including Safari, the Nigerian restaurant that’s operated in southwest Houston for 30 years.
University of Maryland students hailing from as close as Baltimore and Washington D.C., and as far as Nigeria and Ghana, gathered in Stamp on Friday to acknowledge the contributions of various cultures of the black diaspora from Africa.
To celebrate Black History Month, the African Students’ Progressive Action Committee hosted the Black Cultural Expo to appreciate “the many different people that have connections to the African continent,” said the committee’s president Clydelle Agyei, a junior public health science major
“Our organization mainly focuses on African communities, but this time we wanted to broaden the spectrum,” said ASPAC co-vice president Karsten Dankyi, a junior neurobiology and physiology major.
“We wanted to do Africans, African Americans, Afro-Latinos. Just something that everyone could come and share and learn something in the process.The first half of the Expo featured five students showcasing their photography, painting, a cosmetic line and a clothing brand.
Three new exhibitions and over a dozen programs will take place from February through May
PhilAesthetic returns to the African American Museum in Philadelphia (AAMP) to celebrate the African Diaspora.
Funded through The PNC Foundation through the PNC Arts Alive initiative, and curated by AAMP, PhilAesthetic shines a light on the vastness, depth and impact of diasporic arts and culture here in Philadelphia, and worldwide.
This year marks the 400-year anniversary of the arrival of Africans to British colonies of 1619. These individuals brought with them a rich cultural tapestry that would shape the foundations of our country, and go on to influence creative expression around the globe.
Honoring the cultural contributions of diasporic communities past and present, this year’s PhilAesthetic celebration includes three new exhibitions at AAMP, including “AAMP on Paper: Selections from the Permanent Collection,” along with “Baye Fall: Roots in Spirituality, Fashion” and “Resistance and The Sacred Star of Isis and Other Stories,” which include photographs by MFON: Women Photographers of the African Diaspora founders Laylah Amatullah Barrayn Adama and Delphine Fawundu. In addition to these exhibitions, PhilAesthetic includes more than a dozen programs held both at the museum and with partnering institutions around Philadelphia through May.